“Chester Englander is a master of all percussion instruments, but his really special and unique gift to the world is his cimbalom playing. He has brought a new level of facility and virtuosity to the instrument, a new level of tonal color and command that brings cimbalom playing to a whole new level. Having worked with him many, many times with John Adams’ work Scheherazade.2, I can’t imagine a more conscientious colleague who truly loves making music and is also a joy to be around.” – Leila Josefowicz
Chester Englander also performs as a specialist on the cimbalom. He has performed on cimbalom with the Los Angeles Philharmonic and New Music Group, the San Francisco Symphony, the New York Philharmonic, the Chicago Symphony, The Cleveland Orchestra, the Boston Symphony, the National Symphony, the Toronto Symphony, the Saint Louis Symphony, the Seattle Symphony, the Atlanta Symphony, the Cincinnati Symphony, the Buffalo Philharmonic, the Rochester Philharmonic, the Oregon Symphony, the Minnesota Orchestra, and the New World Symphony. He has performed under the baton of a considerable list of conductors, including David Robertson, Franz Welser-Möst, Peter Oundjian, Michael Tilson-Thomas, Esa-Pekka Salonen, Gustavo Dudamel, Alan Gilbert, John Adams, JoAnn Falletta, Jeffrey Kahane, Pablo Heras-Casado, Reinbert De Leeuw, and Peter Eötvös.
“Adding exotic color to the orchestral palette are various-sized gongs and a prominent obbligato part for cimbalom, a kind of hammered dulcimer, whose metallic clangor lends a threatening undercurrent to the violin-orchestra discourse. Chester Englander, Adams’ cimbalomist of choice, dispatched the part wonderfully well.” – John von Rhein, Chicago Tribune 3/3/2017
The cimbalom (sim-bah-lohm) is a Hungarian concert dulcimer that can trace its origins to the ancient Babylonian santur. The instrument has taken on many forms during its nomadic path from Mesopotamia across the Silk Road to as far away as China. Examples of these are the santoor (India), the tsymbaly (Russia, Ukraine),the yang qin (China), and the hackbrett (Germany, Austria).
The cimbalom was introduced in Hungary by their Jewish population. It was embraced by the Roma (Gypsy) people, who incorporated it into their original music throughout Eastern Europe. Jószef Schunda introduced the first pedal-dampened concert-range cimbalom with legs in 1874 and engineered the first chromatic system of strings. Schunda taught many others the art of building cimbaloms, including his prize student Lajos Bohák. Bohák made changes in the soundboard design that allowed for greater resonance and stability of tuning. Chester performs on two outstanding, modern cimbaloms built by Balázs Kovács, the latest master builder to emerge from Bohák’s workshop.
“While the orchestral playing is as ravishing as listeners have come to expect from Morlot and Seattle, the soloists brought in from outside the band are among the very hottest players on their respective instruments… The cimbalom playing of percussionist Chester Englander lends an unexpected delight to Mystère de l’instant.” – CD review by WQXR-FM (NYC) 8/8/2016
The Summer 2017 season included performances of Lord of the Rings: Return of the King with musicians of the Philadelphia Orchestra in June 2017, Háry János Suite with Orquesta Sinfónica de Minería in Mexico City, and the complete Lord of the Rings trilogy with the Chicago Symphony at Ravinia in August 2017.
During the 2017-18 season, Chester performed Scheherazade.2 with the Iceland Symphony in October 2017 and the Boston Symphony in March 2018, and also had performances of The Gospel According to the Other Mary with the National Symphony in February 2018 which included a live broadcast on Medici.tv. Chester also performed Rhapsody #1 for Violin and Orchestra by Béla Bartók with the Temple University Symphony in November 2017. In January 2018, Chester joined the Los Angeles Philharmonic for the U.S. Premiere of Bernd Alois Zimmermann’s Cello Concerto. A highlight of Summer 2018 is a week at the Grand Teton Music Festival, where he will perform Scheherazade.2 with the GTMF Orchestra conducted by Markus Stenz, as well as a recital performance of Eight Duos by György Kurtág with violinist Leila Josefowicz.
The 2018-19 season is already taking shape, with performances of Scheherazade.2 with The Cleveland Orchestra in November 2018 and the Baltimore Symphony in March 2019.
During Chester’s week with the River Oaks Chamber Orchestra in September 2016, he was asked to film a short video featuring the cimbalom:
Film Credit: Joel Luks/CKP Group
Mystère de l’instant with the Seattle Symphony, featuring Chester as the cimbalom soloist:
Selected Repertoire with Cimbalom
The Gospel According to the Other Mary – John Adams
Scheherazade.2 – John Adams
La Giró – Louis Andriessen
La Passione – Louis Andriessen
Racconto dall’ inferno – Louis Andriessen
Rhapsody for violin and orchestra #1 – Béla Bartók
Eclat/Multiples – Pierre Boulez
Répons – Pierre Boulez
La Plus Que Lente – Claude Debussy
L’arbre des songes – Henri Dutilleux
Mystère de l’instant – Henri Dutilleux
da capo – Peter Eötvös
Psy – Peter Eötvös
Háry János Suite – Zoltán Kodály
Doppelkonzert – György Kurtág
8 Duos for Violin and Cimbalom – György Kurtág
Grabstein für Stephan – György Kurtág
In Memory of a Winter Evening – György Kurtág
Messages of the Late RV Troussova – György Kurtág
…quasi una fantasia…– György Kurtág
Scenes From a Novel – György Kurtág
7 Songs for Soprano and Cimbalom – György Kurtág
Stele – György Kurtág
Tre Pezzi/ Tre Altri Pezzi – György Kurtág
5 Animated Shorts – Steve Mackey
Der Ferne Klang – Franz Schreker
Ragtime – Igor Stravinsky
Renard – Igor Stravinsky